Solos for Soprano Recorder, Collection 7

The solos in this book are all based on melodies composed by women. They are especially well suited to performance on the soprano recorder, and they provide excellent material for developing skills in rapid tonguing, extended breath-control, phrasing, and the playing of high notes. Although arranged primarily for soprano recorder, most of these solos can be played on tenor or alto recorder. (On the alto, use 闂備胶鍋ㄩ崕鑼玻閸涘瓨鐓 fingerings.) Three of the world闂備胶鍋ㄩ崕鏌ユ偘 most famous melodies are here: Mildred Hill闂備胶鍋ㄩ崕鏌ユ偘 闂備胶鍋ㄩ崕鑼玻瀵ょ殐py Birthday闂 (originally 闂備胶鍋ㄩ崕鑼玻鐎圭湐d Morning to You闂), Euphemia Allens闂 闂備胶鍋ㄩ崕鑼玻閸楁獣psticks闂 (originally 闂備胶鍋ㄩ崕鑼礄缁惈 Celebrated Chop Waltz闂), and Effie Corckett闂備胶鍋ㄩ崕鏌ユ偘 闂備胶鍋ㄩ崕鏌ユ偟閹矞k-a-Bye, Baby.闂 Less well known delights include Faustina Hodges闂 闂備胶鍋ㄩ崕鑼玻娣嘺use I闂備胶鍋ㄩ崕鏌ユ偘 Twenty-Five闂 and Florence Percy闂備胶鍋ㄩ崕鏌ユ偘 闂備胶鍋ㄩ崕鑼玻婵⒈ Away,闂 as well as Amanda Aldridge闂備胶鍋ㄩ崕鏌ユ偘 闂備胶鍋ㄩ崕鑼玻婵塩e of the Warriors闂-and the list goes on and on. A separate flute edition is available.